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SILVER CARAFE

Designer

Aldo Bakker

Manufacture

Wiener Silber Manufactur

Circa

2018

Description

Resulting from a Courbet-initated collaboration between esteemed Dutch designer Aldo Bakker and the centuries-old silversmiths' workshop of Vienna Wiener Silber Manufactur, the Silver Carafe exemplifies both the artist's iconic vocabulary and the rare and consistent dexterity of the Viennese silversmiths' studio. The mercurial carafe was introduced in 2018 as part of Aldo Bakker’s second solo show in the US, and with the gallery, presenting the continuous dialogue Bakker nurtures with the European artisans and his tribute to the time-honored techniques each carries on.

Aldo Bakker

Born in the Netherlands in 1971 to Dutch designers Gijs Bakker and Emmy Van Leersum, Bakker grew up in an environment infused with a strong aesthetic sensibility. Rather than a formal design education, he forged his own path by training as a silversmith. Bakker set up his own studio in 1994, later moving into furniture and product design.

Bakker is interested in organic forms and movements that defy time, zeitgeist, functionality, and purpose. Those who see Aldo’s design for the first time are often drawn to the form or the materiality before they wonder what their purpose is.

This engaging and intriguing moment is important to the designer who grew his own unconventional approach to design in the scholarly household of two Dutch design icons. As opposed to most designers, Bakker rarely starts a design idea from the desire to solve a problem or address practical needs. Most of his objects start from the fascination for the timeless beauty of a form and the movement it may suggest; the form and its movement would then inspire a function. The cleverness and oddity of Aldo’s designs give his objects some type of natural legitimacy and timelessness.

Bakker’s pieces result from the dexterity of his master craftsmen collaborators — silversmith Jan Matthesius, ceramicist Frans Ottink, woodcrafter Rutger Graas, urushi master Sergej Kirilov or metalsmith Andre van Loon among others.

Widely published and exhibited in Europe today, Aldo held his first large exhibition at the Amsterdam Gallery ‘Binnen’. Invited by Ilse Crawford of the Eindhoven Design Academy in 2002, Bakker has fulfilled a successful tenure at the Design university for over ten years. Today the designer continues selected collaborations with renown manufacturers while further completing his personal collection with master craftsmen and galleries around the world.

Born in the Netherlands in 1971 to Dutch designers Gijs Bakker and Emmy Van Leersum, Bakker grew up in an environment infused with a strong aesthetic sensibility. Rather than a formal design education, he forged his own path by training as a silversmith. Bakker set up his own studio in 1994, later moving into furniture and product design.

Bakker is interested in organic forms and movements that defy time, zeitgeist, functionality, and purpose. Those who see Aldo’s design for the first time are often drawn to the form or the materiality before they wonder what their purpose is.

This engaging and intriguing moment is important to the designer who grew his own unconventional approach to design in the scholarly household of two Dutch design icons. As opposed to most designers, Bakker rarely starts a design idea from the desire to solve a problem or address practical needs. Most of his objects start from the fascination for the timeless beauty of a form and the movement it may suggest; the form and its movement would then inspire a function. The cleverness and oddity of Aldo’s designs give his objects some type of natural legitimacy and timelessness.

Bakker’s pieces result from the dexterity of his master craftsmen collaborators — silversmith Jan Matthesius, ceramicist Frans Ottink, woodcrafter Rutger Graas, urushi master Sergej Kirilov or metalsmith Andre van Loon among others.

Widely published and exhibited in Europe today, Aldo held his first large exhibition at the Amsterdam Gallery ‘Binnen’. Invited by Ilse Crawford of the Eindhoven Design Academy in 2002, Bakker has fulfilled a successful tenure at the Design university for over ten years. Today the designer continues selected collaborations with renown manufacturers while further completing his personal collection with master craftsmen and galleries around the world.