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OIL PLATTER

Designer

Aldo Bakker

Manufacture

Frans Ottink

Circa

2007

Description

Every piece of Aldo’s tableware collection started from a movement and a service ritual informing a shape and inviting a gesture related to fluid or powder. The Oil Platter is a unique interpretation of holding oil. The basin holds the oil, when tilted on its side, the oil pools for dipping with the vertical axis acting as a surface to reduce dripping. The cooperation between Aldo and Frans Ottink started with the production of the Porcelain Tableware series for Thomas Eyck, a Dutch publisher, and distributor of design pieces. Since then, Frans has been responsible for the porcelain products that have been initiated from within the studio.

Aldo Bakker

Born in the Netherlands in 1971 to Dutch designers Gijs Bakker and Emmy Van Leersum, Bakker grew up in an environment infused with a strong aesthetic sensibility. Rather than a formal design education, he forged his own path by training as a silversmith. Bakker set up his own studio in 1994, later moving into furniture and product design.

Bakker is interested in organic forms and movements that defy time, zeitgeist, functionality, and purpose. Those who see Aldo’s design for the first time are often drawn to the form or the materiality before they wonder what their purpose is.

This engaging and intriguing moment is important to the designer who grew his own unconventional approach to design in the scholarly household of two Dutch design icons. As opposed to most designers, Bakker rarely starts a design idea from the desire to solve a problem or address practical needs. Most of his objects start from the fascination for the timeless beauty of a form and the movement it may suggest; the form and its movement would then inspire a function. The cleverness and oddity of Aldo’s designs give his objects some type of natural legitimacy and timelessness.

Bakker’s pieces result from the dexterity of his master craftsmen collaborators — silversmith Jan Matthesius, ceramicist Frans Ottink, woodcrafter Rutger Graas, urushi master Sergej Kirilov or metalsmith Andre van Loon among others.

Widely published and exhibited in Europe today, Aldo held his first large exhibition at the Amsterdam Gallery ‘Binnen’. Invited by Ilse Crawford of the Eindhoven Design Academy in 2002, Bakker has fulfilled a successful tenure at the Design university for over ten years. Today the designer continues selected collaborations with renown manufacturers while further completing his personal collection with master craftsmen and galleries around the world.

Born in the Netherlands in 1971 to Dutch designers Gijs Bakker and Emmy Van Leersum, Bakker grew up in an environment infused with a strong aesthetic sensibility. Rather than a formal design education, he forged his own path by training as a silversmith. Bakker set up his own studio in 1994, later moving into furniture and product design.

Bakker is interested in organic forms and movements that defy time, zeitgeist, functionality, and purpose. Those who see Aldo’s design for the first time are often drawn to the form or the materiality before they wonder what their purpose is.

This engaging and intriguing moment is important to the designer who grew his own unconventional approach to design in the scholarly household of two Dutch design icons. As opposed to most designers, Bakker rarely starts a design idea from the desire to solve a problem or address practical needs. Most of his objects start from the fascination for the timeless beauty of a form and the movement it may suggest; the form and its movement would then inspire a function. The cleverness and oddity of Aldo’s designs give his objects some type of natural legitimacy and timelessness.

Bakker’s pieces result from the dexterity of his master craftsmen collaborators — silversmith Jan Matthesius, ceramicist Frans Ottink, woodcrafter Rutger Graas, urushi master Sergej Kirilov or metalsmith Andre van Loon among others.

Widely published and exhibited in Europe today, Aldo held his first large exhibition at the Amsterdam Gallery ‘Binnen’. Invited by Ilse Crawford of the Eindhoven Design Academy in 2002, Bakker has fulfilled a successful tenure at the Design university for over ten years. Today the designer continues selected collaborations with renown manufacturers while further completing his personal collection with master craftsmen and galleries around the world.

Aldo Bakker Ateliers Courbet Dutch Silversmith Furniture and Product Design