For over thirty years, Mauro Mori (b. 1965, Cremona, Italy) has built a cohesive body of work hand-carved in stone, solid wood, or molded in metal by the artist. Whether functional or decorative, Mori's pieces are works of art sculpted using the traditional techniques of extraction from solid blocks of natural materials, which the artist chooses to sculpt near their places of origin. From the original hand-sketched idea to the final piece, Mori draws inspiration from Nature and the timeless beauty of simple, archetypal forms found throughout artistic periods dating as far back as the Cycladic and Primitive Arts periods.

Mauro Mori Collection

TRES BRONZE II

MAMMA 

For over thirty years, Mauro Mori (b. 1965, Cremona, Italy) has built a cohesive body of work spanning both functional and non-functional pieces carved in stone or wood, or molded in metal. The artist hand-sketches and sculpts his pieces, drawing inspiration from Nature and the timeless beauty of simple, archetypal forms found throughout artistic periods spanning from the Cycladic and Primitive Arts to the twentieth-century minimalist work of artists including Brancusi or Noguchi among others. This work is from the artists' ‘Portraits’ series. The works embody his continuous investigation of organic and sensuous forms carved in natural material using the traditional sculpture techniques of subtraction.

THE LISTENER

For over thirty years, Mauro Mori (b. 1965, Cremona, Italy) has built a cohesive body of work spanning both functional and non-functional pieces carved in stone or wood, or molded in metal. The artist hand-sketches and sculpts his pieces, drawing inspiration from Nature and the timeless beauty of simple, archetypal forms found throughout artistic periods spanning from the Cycladic and Primitive Arts to the twentieth-century minimalist work of artists including Brancusi or Noguchi among others.

PYLONE I

FIGLIO DI AUDIFACE CONSOLE

CUP TABLE

MOVIMENTO BASSO MARBLE 

GOOD NOSE LIMESTONE

QUATTOR TABLE

MOVIMENTO BASSO WOOD

TONO 

TRES WOOD 

HIDDEN EVIDENCE

PYLONE II

PYLONE III

MOVIMENTO BASSO FONDENTE

PIRAMIDI 

OCTO TABLE

FIGLIO DI AUDIFACE

GOOD NOSE

THE LISTENER CONSOLE

TIP TAP PORTORO

TRES BLACK 

PIRAMIDONE

TRES BRONZE I

Cetra

Accent Tables

For over thirty years, Italian sculptor and designer Mauro Mori (b. 1965, Cremona, Italy) has built a cohesive body of work, including sculptures, both functional and non-functional, hand-carved in stone or wood or molded in metal. Using time-honored techniques to sculpt each of his pieces, the artist carves and sculpts work inspired by his extensive travels around the world as well as his interest in the natural environment and the timeless beauty of simple organic forms.

While he discovered his vocation when sculpting wood in the Seychelles island where he lives half of the year, Mori was trained as a traditional wood and stone artisan in his native Italy. The maturity of his work today reflects the artist’s ongoing research and explorations across mediums and sculpting techniques; from his earlier work hand-carved in wood and stone to his more recent pieces sculpted in metal or cast in bronze. Each of Mori's pieces is most often hand-molded by the artist himself in the material’s place of origin.

Mori’s sculptural, sensual, and textured silhouettes are informed by the very nature of their chosen material. His sensitivity to the medium's unrefined beauty and sensuality endows his work with a sense of appreciation for the material itself and its natural, original environment. The wood pieces are carved out of massive Albizia Rosa wood trunks sourced and sculpted by the artist in Seychelles, while the Carrara marble hand-picked by Mori in Northern Italy is carved in his studio in Milan.

From the traditional sculpture techniques of subtraction used by the artist for his wood and stone works to the painstaking form-shaping and hammering of his metal pieces, Mori never ceases to explore and further his craftsmanship expertise.

Today, his work belongs to significant collections around the world, both institutional and private, and has been the subject of numerous exhibitions in the US and in Europe.